% Voices of some thirty composers edited by Robert P. Morgan in The Twentieth Century, Source readings in music history vol. 7 % [ir]
- Two Letters to Ferruccio Busoni (1909)
% by Arnold Schoenberg % - From "Cock and Harlequin" (1918)
% by Jean Cocteau % - From Poetics of Music (1946)
% by Igor Stravinsky % - "Experimental Music" (1957)
% by John Cage % - "Who Cares if You Listen? (1958)
% by Milton Babbitt % - "Who Listens if You Care? (1991)
% by Evan Ziporyn %
- Sketch of a New Esthetic of Music (1907)
% by Ferruccio Busoni % - The art of noises (1913)
% by Luigi Russolo % - "Music and Its Future" (1929)
% by Charles Ives % - "The Liberation of Sound" (1936)
% by Edgard Varèse % - "Tendences in Recent Music" (1957)
% by Pierre Boulez %
- From "Composition with Twelve Tones" (1941) % by Arnold Schoenberg %
- From "The Concept of Unity in Electronic Music" (1962) % by Karlheinz Stockhausen %
- "Free Stochastic Music" (1960) % by Iannis Xenakis %
- From "Metamorphoses of Musical Form" (1960) % by Györgi Ligeti %
- Writtings about Music: Music as a gradual process (1968) % by Steve Reich %
- "Shifts in Musical Production" (1927) % by Kurt Weill %
- Speech for the Düsseldorf Music Festival (1938) % by Joseph Goebbels %
- "Chaos Instead of Music" (1936) % by Pravda %
- Three Commentaries (1951) % by Sergey Prokofiev %
- From Testimony (1972) % by Dimitri Shostakovich %
- From My Lord, What a Morning (1956) % by Marian Anderson %
- From "A Scratch Orquestra: Draft Constitution" (1969) % by Cornelius Cardew %
- From Streaks of Life (1921) % by Ethel Smyth %
- "I recycle Sounds: do women compose differently?" (1992)
% by Eva Rieger % - From "Horizons Unlimited" (1957)
% by William Grant Still % - "The Black American Composer" (1972) % by Olly Wilson %
- Extending Western Music's Boundaries
- Three Articles for Music Journals (1902) % by Claude Debussy %
- From Two Articles on the Influence of Folk Music (1931) % by Béla Bartók %
- From Notes without music (1949) % by Darius Milhaud %
- "The return to the music of the Past" (1909) % by Wanda Landowska %
- "Patterns of Music" (1940) % by Harry Partch %
- From "Mozart and the Ethnomusicological Study of Western Culture" (1992) % by Bruno Nettl %
- Concert Life, Reception, and the Culture Industry
- From "Society for Private Music Performances in Vienna (1919) % by Alban Berg %
- From "A social critique of Radio Music" (1945) % by Theodor W. Adorno %
- From Intermission talk for Toscanini's Final Radio Concert (1938) % by Lawrence Gilman %
- "Musica Practica" (1970) % by Roland Barthes %
- From Postmodernist Culture (1989) % by Steven Connor %
- From "Memoirs of an Amnesiac" (1912) % by Eric Satie %
- From Two Interviews (1970) % by Nadia Boulanger %
- From Music Ho! (1934) % by Constant Lambert %
- From Music, the Arts, and Ideas (1967) % by Leonard B. Meyer %
- From "The Poetics of the Open Work" (1962) % by Umberto Eco %
- From "On the Third String Quartet" (1965) % by George Rochberg %
- "Music---or Musics?" (1985) % by Carl Dahlhaus %
