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Playing at IDRS2009 with Luz Torres

Posted by javiercampana on July 21, 2009 at 8:57 AM Comments comments (0)


Playing at Living Room with Tara, Cat and Alex

Posted by javiercampana on June 1, 2009 at 7:47 AM Comments comments (0)


Live recording at Living Room

Research study day at BCU

Posted by javiercampana on May 30, 2009 at 7:41 AM Comments comments (0)

30th may

Research Study Day

BCU


Composing interactions in live electronics music: when sound is the control of the DSP system


(Soon) Screenshot of my patch showing a function of redundancy in the live electronic composition process.



Playing with Cat Chinn at Living Room

Posted by javiercampana on May 11, 2009 at 8:15 PM Comments comments (0)

Playing in Vertu Bar with Tara, Cat and Alex

Posted by javiercampana on May 7, 2009 at 8:02 PM Comments comments (0)

Recording Haendel in Cambridge University

Posted by javiercampana on May 3, 2009 at 7:38 PM Comments comments (0)

Jonathan Green invited me to record the Cambridge Handel Opera Group. They performed the Opera Ariodante the 29 and 30 April, 2 and 3 May 2009 at 18:30 in West Road Concert Hall, Cambridge.


The Opera was conducted by Andrew Jones.



Presentaci? revista Sonograma

Posted by javiercampana on April 18, 2009 at 3:37 PM Comments comments (0)


Recording Edmund Hunt music

Posted by javiercampana on March 27, 2009 at 7:42 PM Comments comments (0)

Recording We are apart; our song together. By Edmund Hunt

Working with Thallein Ensemble

Posted by javiercampana on March 27, 2009 at 5:55 PM Comments comments (0)

Jamie Bullock allows me to set up the electronics for Jonathan Harvey pieces.


Frontiers+: Thallein Ensemble

27 March 2009, 19:00

Conductor: Nicolas Cleobury

Edward Top Cartesian Theatre (2007 Millennium Commission)
Jonathan Harvey Valley of Aosta / Wheel of Emptiness
Samuel Bordoli Eta carinae nebula
Webern Concerto Op. 24

In this varied programme, the premiere of Edward Top?s winning Millennium Commission composition is presented alongside Webern?s 12-tone concerto for nine instruments, two works by Jonathan Harvey and a piece by Conservatoire composition student Samuel Bordoli. Composed in 1997 for 16 players and electronics, the new ?modernised? version of Wheel of Emptiness was performed as part of the Integra 2008 Festival, while Samuel Bordoli received feedback on Eta carinae nebula from Pierre Boulez in an open masterclass during ?Boulez in Birmingham?.

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